commit 07bb091c71e13fa910cb26dac609debdd2fe5638 Author: brunomotley51 Date: Thu Oct 30 15:27:03 2025 +0800 Add Who was Gordon Parks? diff --git a/Who-was-Gordon-Parks%3F.md b/Who-was-Gordon-Parks%3F.md new file mode 100644 index 0000000..6c03b78 --- /dev/null +++ b/Who-was-Gordon-Parks%3F.md @@ -0,0 +1,9 @@ +
If you're a 1970s film buff, you would possibly recognize Gordon Parks as the director of "Shaft," the 1971 drama during which Richard Roundtree played a tough but suave private eye who was Hollywood's first Black action hero. But long before he sat in a director's chair, Parks had another, even more influential inventive career as a documentary photographer and photojournalist, one whose work usually depicted the unfairness and squalor of a still-segregated nation, and elevated atypical arduous-working folks to heroic standing.C., the place Parks worked as a photographer earlier than happening to fame at Life magazine. Parks explained in his 1960s memoir, "A Selection of Weapons." A documentary titled "A Choice of Weapons: Inspired by Gordon Parks," exploring Parks' enduring legacy, debuted Monday, [EcoLight brand](https://hikvisiondb.webcam/wiki/User:TeriO9945004) Nov. 15, 2021, on HBO and HBO Max. Now, 110 years after his start in 1912, [EcoLight lighting](https://handiven.com/edison-bulb-vitality-efficient-light-supply-in-your-residing-house/) the resurgence of curiosity in Parks' work is also on full display in an exhibition at the Carnegie Museum of Artwork in Pittsburgh of Parks' images of industrial staff at a protracted-vanished grease plant within the mid-1940s.
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The pictures on show in "Gordon Parks in Pittsburgh, 1944/46," which runs by Aug. 7, [EcoLight home lighting](https://git.siin.space/reneehowe76029) 2022, show Parks' distinctive model of utilizing carefully staged and composed still images as a storytelling machine, and his capability to convey the struggles and resilience of males who spent their days performing grueling jobs in a soiled, dangerous setting. Who Was Gordon Parks? Parks was born Nov. 30, 1912, and grew up in Fort Scott, [EcoLight dimmable](http://maxes.co.kr/bbs/board.php?bo_table=free&wr_id=2279136) Kansas, the place he discovered to keep away from white neighborhoods after darkish, to sit in the peanut gallery in the city movie theater and [EcoLight](https://git.unigw.com/osvaldoworrell) to endure insults and occasional beatings from white thugs. He left at age sixteen to reside in St. Paul, Minnesota, the place he labored bussing tables at a diner while making a name for [EcoLight lighting](https://some.center/bbs/board.php?bo_table=free&wr_id=412253) himself as a participant on a neighborhood basketball crew, the Diplomats. In 1937, while working as a server on a passenger train, he noticed magazines that featured photographers' depictions of the great Depression, together with Dorothea Lange's photos of migrant staff in California.
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He was struck by the ability that a great picture conveyed and determined to turn out to be a photographer himself. I think Stryker understood that Parks had a talent set that would allow him to know and relate to the staff on this plant, and actually seize the story of the manufacturing by way of those individuals," Leers says. "Photographing the grease plant at Pittsburgh was a fairly nasty job," Parks wrote to Stryker in 1944. "It was nasty because in every constructing and on every flooring grease was underfoot. The interiors in the older buildings had been extraordinarily dark and absorbed loads of gentle, [EcoLight lighting](http://medik.co.kr/bbs/board.php?bo_table=free&wr_id=1597928) so it was obligatory to make use of long extensions and plenty of bulbs. There's a dialogue between the photographer and the subject," Leers says. "You often do not have that with a photojournalist. They're often either the fly on the wall, or just passing via. It's also a credit to Parks that he was able to find moments of camaraderie and partnership between people of different races," Leers says. "It wasn't just a matter of Black and white.
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Parks is such a talent that he's capable of see the nuance, and to photograph grease-makers who are white and black at their jobs, [EcoLight](https://gitea.oio.cat/dillonlaforest) or playing checkers on their lunch break. And I think he also recognized that regardless of their race, so much of these men had been very happy with the work they had been doing. Although they are not on the entrance traces of the warfare, the work they're doing is actively contributing to the success overseas. After he'd completed his work there for Commonplace Oil, he acquired a freelance project from Life journal in 1948 to photograph a Harlem gang, and finally was hired as a employees photographer. In his 20-12 months profession on the magazine, his photographic topics ranged from an impoverished younger boy in Rio de Janeiro to Hollywood stars reminiscent of Henry Fonda and Ingrid Bergman, in addition to Black celebrities starting from Duke Ellington to Muhammad Ali. Along with being a photographer, Parks was concerned in an assortment of different artistic endeavors. He wrote poetry, composed a symphony and turned the creator of a bestselling semi-autobiographical novel, "The training Tree." A studio govt who admired his pictures hired him to direct the film version of his ebook. While he wasn't the primary black director to direct a feature-length film - that would be Oscar Micheaux, back in 1919 - Parks was the first to direct a major Hollywood picture.
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